The Great Cycle Challenge

This October I am taking part in the “Great Cycle Challenge” to raise money to help fight children’s cancer.

 

To see a little more about the kids and why it is import to raise money, follow this link https://greatcyclechallenge.com.au/Pages/the-kids

 

My current cycling goal is to reach 150km. In truth I would like to hit 200km, I will just have to see how I go. I am also hoping to raise at least $500. Again I would obviously love to help raise more.

 

So to help with the fundraising goal, I have decided to offer some incentives as gifts for people who donate. As I rarely offer original illustrations for sale this will be one of the few opportunities you will have to get one of my illustration.

If you donate $25 I will post you one of my books, signed with an original drawing in it. If you donate $50 I will send you an original drawing (see image below). If you are in the Canberra/Sydney area and donate $100 I will offer you either a visit to your child’s school to talk to their class about illustrating and writing books or a commissioned illustration of your pet. The offer for the pet portrait is internationally available. The first person to donate $50 will receive this image which I would call a part of my ‘New England” series.

Cycle challenge 1

I created this image on my recent trip to Boston/Cambridge Massachusetts, America. I will post other illustrations that are available on facebook as the challenge continues.

To donate my Cycle challenge page is https://greatcyclechallenge.com.au/Riders/TonyFlowers

Edward Lear at Harvard

Imaging my delight and surprise yesterday, when after a morning or recording and sketching notes from the original Alice in Wonderland pencil sketches by John Tenniel (with even a few rough sketches by Lewis Carroll (aka Charles Dodgson) I found out the Harvard’s collection of rare books and manuscripts included works by Edward Lear. ELear book

While I didn’t get to see the Owl and Pusscat illustration on this visit, I did look through a wonderful collection of drawings for his 2nd book of nonsense. I was also give a copy of the Harvard Library Bulletin, special edition on the ‘Edward Lear collection at Harvard University’ (2011)

ELear Feathers

This collection is housed in the Houghton Library in Harvard Square. If you want to see some these amazing images check out the libraries webpage as they have scanned some of the work.http://www.hcl.harvard.edu/libraries/houghton/

I love the ‘Newt’ (below), while a lot of Lear’s book of nonsense poems have simple and often quite distorted characters, you can get a idea of what an accomplished illustrator Lear was form these alphabet book images. If you look at his work online, check out his watercolour works as well.

ELear Newt

Ready to fly

I’m making final preparations for my trip to America on Wednesday. I am heading to the International Visual Literacy Conference which is being held at the Leslie University in Cambridge Massachusetts.  At the conference, I will be presenting a paper on ‘Illustrating Visual Language Research” at 10 am on Sunday the 17th. In which I discuss some of the overlapping theories from the academic world on illustrative works and from the world of illustration practice.

Slide Vector 6 v2

While I am in Cambridge I plan to take advantage of some of Harvard university’s collections. I will be heading to the wonderfully named “Peabody Museum of Archaeology and Ethnology” to draw some of the Mayan artifacts from expeditions conducted in South America in the last 1800’s. I plan to include these in an upcoming book project.

Peabody1

I also hope to get access to some early sketches by John Tenniel. Harvard has some of his early drawings for his version of the character of Alice, from Carroll’s “Alice’s Adventures in Wonderland and Through the Looking-Glass”. I’m sure that these will great for future research work and may link back into my current Thesis on illustrative work practices and visual literacy.

Houghton Lib Alice image

And finally, if I get time I would love to catch a train to Salem one evening for a ‘Voodoo, Vampires and Ghost walking tour’. I’m sure that this tour would be illustratively inspirational in some way. It should also be heaps of fun as I haven’t done a Ghost tour in years, The last one I went on was at Port Arthur in Tasmania.

Old_Salem_Legends_Laterns_2012_-_B_smaller

WestWords in Parramatta

I will be in Parramatta (N.S.W, Aust.) for the next 2 weeks as an illustrator in residence at the Parramatta Artist Studios. This is a program organised by WestWords (www.westwords.com.au) .

During my time here I will run workshops at the Max Webber Library,

Friday 7th July 10:30 to 12:30(tomorrow).

Screen Shot 2017-07-06 at 8.25.16 am

Today I set up an exhibition of illustrations from the PhD research interviews that I have conducted with such illustration greats as Ann James, Stephen Michael King and Graeme Base. This runs through to Tuesday the 18th of July.

 

Tuesday the 11th, I will be giving an illustrators’ talk at 6:30pm at the Parramatta Artist Studios, level 2/68 Macquarie St, Parramatta. There will be a light supper and wine.

 

Thursday the 13th, I will run 2 workshops at the Parramatta Artist Studios 9:30 to 11:30 and 12:30 to 2:30.

http://www.westwords.com.au/projects/drawing-for-picture-books/

Wednesday the 19th talks at Parramatta North Public School.

In my spare time I will be working on a picture book project and finishing an academic paper to a conference presentation in September in Boston (ma, USA).

If your in the Parramatta area feel free to send me a message (on Facebook or in comments below) and you are more than welcome to come along to the studio and see the progress on the picture book project or just have a coffee and a chat.

MIGRATIONS EXHIBITION ARTWORK

 

stian_hole_migration

(Stian Hole)

From 09 to 30 September 2017, the International Centre for the Picture Book in Society (ICPBS) will host an exhibition in collaboration with BIBIANA, the International House of Art for Children in Bratislava, Slovakia. The exhibition, titled MIGRATIONS, will coincide with the Biennale of Illustration in Bratislava (BIB) and its symposium.

The Brief

 We invite our illustrator friends to send us a postcard (10x15cm) with your illustration of a bird on the picture side of the card and a relevant message, phrase or thought on the theme on the message side of the card.  The bird could be representative of a real bird from your country, a fictitious bird from your culture or your own fantasy bird. The postage stamp from your country of residence and your name will indicate the flight of your artwork first to the UK, then to Bratislava and who knows … to further exhibitions thereafter.

https://picturebookinsociety.wordpress.com/author/andyrobertdavies/

Hello! Notable Book CBCA awards 2017

Notable award 2017 Hello

I have been very fortunate this year as the book ‘Hello!’ which I illustrated for the National Library of Australia has been placed on the ‘Notable’ book list for 2017. This is wonderful recognition for the book that explores 12 cultural groups from multicultural Australia. As the libraries blurb says

“Yiasou! That’s hello in Greek!

 

Or would you like to say hello in Chinese? What about Italian or Korean? Murrinhpatha or Kaurna?

 

Meet 12 Australian friends who can speak different languages. They tell us how to count from 1 to 10, say hello and goodbye and lots of other words in their languages about play, food, hobbies and clothes.”

 

 

The Publishing industry is a funny one as it celebrates the authors and illustrators of any book. But as anyone who has ever worked on a book can tell you it takes a team to make a book. Hello! was the brain child of editor Joanna Karmel and publisher Susan Hall who were working with graphic designer (and an old friend mine) Liz Faul. In addition, each cultural group represented in the book was also reviewed by cultural advisors ranging from the Embassy of Lebanon, the Australian National University to indigenous advisors and Elders. A fall list of acknowledgements is printed on page 65 of the book.

 

I would to congratulate all of the people that have helped bring this project to life. Without your efforts the it would have been impossible to create this book.

I would also like to extend congratulations to all of my fellow author, illustrator and publishing team friends who have books represented on the CBCA’c Notable list (see link below for full list). It is a truely reward industry to work in.

 

 

If you haven’t had a chance to see the book ‘Hello!’ here is an extract from a book review;

“I see this sturdy children’s picture book being very useful in primary school libraries as well as pre-schools. Schools where children learn languages other than English will love the book as an introduction to general language acquisition. Each child shares a few phrases, and there are three indigenous languages as well as many more languages commonly spoken in Australia. In the back of the book, there’s an excellent pronunciation guide, as well as image resources from the National Library’s collection.

 

Apart from making an excellent choice as a non-fiction picture book for kids 3+, Hello would make a great school resource for celebrations like Harmony Day (March 21 in Australia) or Universal Children’s Day (November 20).” –  Susan Stephenson (August 2016 -www.thebookchook.com)

 

For a full list of the Notable Books for 2017, click on this link CBCA Notable Books 2017

 

AOI award illustrations

Over the years I have entered a number of awards around the world. I see these competitions as an opportunity to develop a concept and push my illustration work in new directions. As the entry period for the Association of Illustrators (AOI) awards for 2017 draws to a close. I have been considering entering an illustration for this year. In the past I have entered into the Children’s Books. While I have a few choice illustrations to choose from for that category. I have decided that I could use the competition as a way of pushing myself to produce images for the some of the concepts that I have been playing with over the last 6 or so months.

aoi-2017-flowers-smf

This is my first choice, an ink illustration created with Staedtler pigment liners (0.05 to 0.8). It is for a story concept based on the Nordic legend of Baldur. My version involves Viking Cats. You can see the early pencil sketch versions of this concept on this word press site (17th July 2016)

aoi-2017-flowers-dogs-of-war-1-smf

My next choice is based on some graphic novel images that I have been developing from my Grandfathers World War 1 journal (Private Charles Flowers, 1916). This is one of the concept images that I have been developing on for this project.

I feel that I may have to work on this concept more before I would be happy to submit an image from this project.

AOI awards are held in London each year. The run a couple of award programs that give illustrators an opportunity to hone their skills. For more details follow this link http://www.theaoi.com/awards/enter-info.php

Entries close on the 6th of Febuary.

*** Update on the 30th January 2017 ***

After a quick Facebook poll of 5 to 1 in favour of the new reworked image for a ‘Dogs of War’. The final entry is the image below.

AOI 2017 Flowers Dogs of War 2.jpg

Go Cow Go concept image

“I love it when a plan comes together!” as the 80s TV ‘A’ team would say. Just working on some new concept images for a story that I am writing and illustrating. So far I am very happy with the results and here is a sneak peek at Motor Scooter cow from my draft pile of drawings. I hope to get these images ready to submit very soon.
blog-scooter-process-image

 

Staedtler Mars Lumograph Black

Staedtler pencil title

I recently received a sample pack of Staedtler Mars Lumograph black pencils. The pencil pack came as a tin pencil tray. It contained 2 x 2B, 2x 4B, 1 6B and 1 8B.

Lumograph black test

These pencil leads have been produced with a higher proportion of carbon in the lead than the standard Lumograph pencils. The idea is that the carbon will create a matt black finish. Testing the standard and black pencils side by side, it quickly becomes obvious that the higher the carbon the more matt the finish. While the 2B and 4B pencils in both standard and black produce a shine when applied with a heavy-handed burnish. The black also live up to their name and are noticeably darker than their counterparts. The 6B and 8B have a noticeably more matt finish in black than the standard lead pencils. The tooth on these pencils are also more aggressive. It bites the paper more like charcoal than pencil lead.  I tested on a 300 gsm fine grain cold pressed watercolour paper (Canson, Aquarelle) and 110 gsm smooth cartridge (Quill).

The Pencils are also smudge well, again the higher the carbon content the more they smudge. Excellent if you like to use a smudge stick or a finger tip to blend your pencil work.

I did notice that the 6B and 8B pencils are a little brittle. I had problems sharpening the pencils when I first started using them. I soon realised that the problem was the sharpener not the pencils. As the sharpener was a starting to go blunt and the leads are brittle the pencils were crumbling. Interestingly the standard Lumograph pencils were fine with this sharpener. I switch the sharpener to a newer one (Staedtler Metal double-hole sharpener) and the pencils shaped up to a sharp fine point.

Lumograph Black sample 2

When creating work to test the black pencils I decided to push the pencils to produce darker images. Using a ‘chiaroscuro’ technique I pushed to shadow in the images to take advantage of the black matt finish. Trying to make the character merge into the black background.

Lumograph Black sample 1

While the Matt black finish helps reduce shine when viewing the images. Scanners still pick up some reflection off the surface of the image. Not as much as when using a standard lead pencil at a heavy burnish level.

 

http://www.staedtler.com.au/en/products/pencils-accessories/pencils/mars-lumograph-black-100b-premium-quality-artists-pencil/